January 1, 2011

Fuel/Friends favorites of 2010

sound wave

And so, another year marches to a close — another fantastic, adventure-filled, technicolor year. It’s the time when all of us start kicking around our neatly-bulleted lists of bests and worsts. For me, the more I read these lists, the more I feel that I missed more albums and artists than I heard this year.

The stats are staggering: in 2002, about 33,000 albums were released. In 2006 that number was 75,000. Last year close to 100,000 albums were released, with only roughly 800 of those albums selling more than 5K. It’s tough out there — to be heard, and to feel as a listener that you have adequately given a shot to even a fraction of a representative sample of one year’s offerings. I always feel this keening bittersweet regret at the end of each year, as so much more music was released than any one human woman can possibly digest or invest in.

That being said, I had a fairly simple time picking what my personal favorite albums were for 2010, of the ones I heard. I absolutely loved what Carrie Brownstein wrote on her NPR blog about these year-end lists.

She muses: “So I’ll admit that I’m not quite certain how to sum up an entire year in music anymore; not when music has become so temporal, so specific and personal, as if we each have our own weather system and what we listen to is our individual forecast. I’ve written a lot about music bringing people together, fomenting community, and many albums still did act as bonfires in 2010 . . . but many of us are also walking around with a little lighter in hand, singing along to some small glow that’s stuck around long enough to make us feel excited to be alive.”

That is exactly, precisely what I feel. And really, what is any top ten list but an assessment of those songs, those artists, those albums that have hit us square in the solar plexus exactly where we are sitting?

These are the albums that lodged deep and sharp into my red heart and made this year richer, smarter, harder and easier, sharper, sparklier, and all the more brilliant. And some of them seriously made me dance.



FUEL/FRIENDS FAVORITE ALBUMS OF 2010

the-black-keys-brothers

THE BLACK KEYS – BROTHERS
(Nonesuch Records)

This is just one of the coolest albums released all year — maybe all decade. And I mean the kind of cool that is quintessential, untouchable, badass, just strutting down a sunny street with-your-own-theme-song type of cool. It blends their trademark swampy, bluesy, fuzzed-out guitars with crisp sharp beats that sliced right through that weight the first time I put this album in, on my roadtrip to Missouri. I think I listened to it on repeat through at least two (long, loooong) states and it was love at first listen from that point on.

Additionally – if there is a sicker breakdown all year than what happens here at 1:02, I don’t wanna know about it.

The Go Getter – The Black Keys

…Right?!





dan mangan

DAN MANGAN – NICE, NICE, VERY NICE
(Arts & Crafts)

This album from the Canadian side of the verdant Pacific Northwest was an unexpected discovery this year, recommended to me by a friend who helps arrange the Telluride Bluegrass Festival (another favorite thing of this year, but hey we’ll get to that). Dan Mangan has made a dense, thoroughly gorgeous album, heavy on the intelligent lyrics, his oaky-warm voice weaving in amongst a whole orchestra of instruments. This album is beautifully arranged and well-crafted, one you can swim deeply in during rainy days all winter long (although I discovered it in August and it sounded just as good in the sticky warmth).

Basket – Dan Mangan





DGcover_hires
DREW GROW AND THE PASTORS’ WIVES – SELF-TITLED
(Amigo/Amiga Records)

Drew Grow and his band The Pastors’ Wives hail from Portland, making music that easily straddles and jumps across genres to create something marvelously rich and endlessly interesting. The sound production throughout feels like an old, warm, crackly album (tip: get it on white vinyl while you can) with something urgent to say. From those fuzzy, sexy, pleadingly plaintive blues jams like “Company” to the aggressive push-and-tug of the rowdy “Bootstraps” and the dulcet golden ’50s croon of songs like “Hook,” this album has pleased me completely. Every song is a favorite.

The opening “Bon Voyage Hymn” sets the tone for this album (if it has one) of a sort of rough-hewn, honest, rock gospel as Drew howls, “Sing a shelter over me / With a mighty chorus, slaves set free.” And by that I mean the oldest spirit of gospel, in community and a shared love of singing, with our heads thrown back and our feet stomping — but while the guitar squalls and the dirty drums crash. At the house show they played for me in November, it was like the best kind of church, a jaw-dropping explosion of goodness.

Company – Drew Grow & The Pastors’ Wives

N.B.: Drew also has a stunning new acoustic EP.





the-head-and-the-heart-lp

THE HEAD AND THE HEART – SELF-TITLED
(self-released)

From the first evening back in early summer when I streamed this Seattle six-piece’s songs on my tinny computer speakers, I was reeled in hook line and sinker. The song sang about something that sounds like a hallelujah, the sheer delight of embracing with all of your heart and both your dancing shoes, and no band this year has given me more of that musical enjoyment – whether in a parking garage very late at night, or in the living room of an old house. Amidst the warmth, the uncanny wisdom, and undeniably catchy musical & rhythmic foundations of this band, there is magic. We will be hearing a good deal more from them in 2011, and I couldn’t be more pleased.

Sounds Like Hallelujah – The Head and The Heart





jonsigo

JONSI – GO
(XL Recording)

This is, simply put, a kinetic album. Jónsi blends his native Icelandic language with forays into English, creating the dizzying effect of running fast through a dream forest, not exactly understanding what is being said and not needing to. He’s made an intricate, joyful album of grandeur that is uplifting and challenging without being overly twee or silly. It is a delicate balance to strike. The paint-spatter of colors on the album cover precisely depict what this explosive album sounds like – purple, yellow, deep red, shot through with sunlight.

This album was completely unlike anything else that I heard this year, and made me simultaneously smile widely and furrow my brow. It’s the most imaginative album I’ve heard all year, perfect at evoking things like riding the back of a jet-black dragon over canyons. Yes, and yes. Please.

Go Do – Jónsi

Addendum: I also just laughed very loudly for a good minute and a half after I just connected the mental dots to the possible inspiration for this album, or at least this song.





so-runs-the-world-away

JOSH RITTER – SO RUNS THE WORLD AWAY

(Pytheas Records)

I’ve said before that I think Josh Ritter is one of the most important and talented songwriters of our generation; this album is a stellar example of why. Through these thirteen sprawling songs, Josh demonstrates to me again exactly why I love the way that he sees the world. When I interviewed him this summer, he said he admires those who “see what everybody else has seen, think what nobody else has thought.”

Josh pens incisive, piercing, widely-varying folk songs with the comfortable intelligence of one who is in no hurry, yet is passionate in pursuing his muse and getting his stories out into the world. Highlights here like “The Curse,” “Folk Bloodbath,” “Another New World,” and “Lantern” are jaw-dropping. Josh has a remarkable way of teasing out truths about the world (seen and unseen), and poking into the human conditions in my own heart with a greater acuity than most out there.

Lantern – Josh Ritter

That song also contains one of my favorite lyrics of this entire year: “So throw away those lamentations, we both know them all too well / If there’s a book of jubilations, we’ll have to write it for ourselves / So come and lie beside me darlin’ — let’s write it while we still got time.”





lissie

LISSIE – CATCHING A TIGER
(Fat Possum)

From the first time I heard Lissie’s soulful, immensely evocative voice earlier this year on her song “Everywhere I Go,” I was riveted. Who was this slight, freckled blond gal with the echoes of an entire fifty-member church choir in her lungs? Originally from Rock Island, Illinois, Lissie has harnessed both the brilliance of the sunshine of her new California home on her debut album, as well as all the gnarls of her roots. Bluesy, confident melodies and goosebump-inducing howls are here in scads — this is a notably substantial first album from a woman to be reckoned with.

Record Collector – Lissie





the-dark-leaves-mppa

MATT POND PA – THE DARK LEAVES

(Attitude Records)

“We could start tonight, slide back the deadbolts…” Matt Pond suggests at the beginning of this autumnal album with rich hues that gave me endless listening pleasure this year. I was glad I took him up on the invite. I’d admired the work of the Brooklyn songwriter in spurts and starts over the past few years, but this is the first album of his that I have really immersed myself into his uniquely lovely, thrumming view of the world.

There is a sort of expansive, wide-eyed glow in this album that seems to invite transcendent things to happen. From the specks of silver he sings about in the evening sky and the illumination all around us, I love the way things look like an adventure when I am listening. “First hips, then knees, then feet – don’t think anymore,” he sings. Good idea, Matt.

Starting – Matt Pond PA





the-national_high-violet

THE NATIONAL – HIGH VIOLET
(4AD Records)

This is a decimating, gorgeous, elegant album, much like Boxer was but with additional hints of weirdness and unsettled edges that I like. I was ridiculously excited about this album (in a sort of masochistic way, since I know full well what The National are capable of), devouring every word I could read about it before it came out. The single best definition I heard came from Matt Berninger himself when he said they wanted it to sound “like loose wool and hot tar.” In that regard, they completely succeed – their music is dark, burning, sticking to your skin and all your insides.

This is an incredible album full of terse, razor-sharp observations on the worries that wait in the shadows for me and gnaw when they get a chance: I think the kids are in trouble… you’ll never believe the shitty thoughts I think… I was less than amazing… I tell you terrible things when you’re asleep. But I won’t lie when I say I found some of the strongest redemption of my year in this music as well, with the closing track “Vanderlyle Crybaby Geeks” — singing along with lines “all the very best of us string ourselves up for love / man it’s all been forgiven, swans are a-swimmin…” The honesty of the darkness shot through with these glints is what keeps drawing me back to these guys, fiercely.

Conversation 16 – The National





tallest-man-on-earth-wild-hunt-cover-art

THE TALLEST MAN ON EARTH – THE WILD HUNT
(Dead Oceans)

Kristian Mattson slays me – there are no two ways about it. When he sings on this album, “I plan to be forgotten when I’m gone,” it is almost comical because nothing really seems further from the truth. Mattson’s songs have the kind of heft and intricacy that make me certain his music will be around for a very long time after him. His guitarwork is sparkling, impassioned, and inspired. The words he selects and the way he delivers them are pointed and deliberate. I can’t tell if his lyrics are so sharp in spite of the fact that English is not his first language, or because of it – as if perhaps he can see more clearly through our muddy sea of language to pick out the iridescent rocks from the river.

Also: it’s worth noting that his EP released this year was equally good – serious brilliant work.

King of Spain – The Tallest Man On Earth





BEST ALBUM NOT FROM THIS YEAR THAT I JUST FINALLY DISCOVERED THIS YEAR:

cataldo - signal flareCATALDO – SIGNAL FLARE
(self-released, 2008)

I cannot stop listening to Eric Anderson, as evidenced by the fact that I have put him on just about every mix I made in 2010, and listen to this album most days lately on my walk to work. After a chance encounter with his music on a college radio show of a friend, I’ve been smitten by his earnest, unvarnished, incredibly catchy way of looking at the world that simultaneously makes me smile and breaks my heart. You know me. I like that.

He’s got a new album “Prison Boxing” coming out in 2011, according to Facebook. I plan to be substantially more on top of that one.

Signal Flare – Cataldo





9NINE SUPERB SONGS I COULDN’T GET ENOUGH OF IN 2010:
Burning Stars – Mimicking Birds [link]
Tell ‘Em – Sleigh Bells [link]
Safe and Sound – Electric President [link]
Six O’Clock News (Kathleen Edwards cover) – Paul Jacobsen [link]
If A Song Could Get Me You – Marit Larsen [link]
Second Mind (live at the SF Independent) – Adam H. Stephens [link]
Fuck You – Cee Lo Green [link]
Carry Us Over – Kelli Schaefer [link]
Baby Lee – Teenage Fanclub [link]





interviewsFAVORITE INTERVIEWS:
Bringing Jeff Buckley’s music to a new life through Shakespeare [link]
-and-
Talking to my Italian musical hero on the Santa Monica Pier [link]





shows_ive_seenFAVORITE SHOWS OF THE YEAR:
My forays into presenting house shows:
Drew Grow and The Pastors’ Wives with Kelli Schaefer (Nov 4, 2010)
The Head and The Heart (Nov 9, 2010)

Andy Clockwise at SXSW (March 2010)

Joe Pug house show (February 28, 2010)

Tallest Man On Earth (May 19, 2010)

Megafaun and their in-the-crowd rendition of “Worried Mind” (April 12, 2010)



FAVORITE FESTIVAL:
Telluride Bluegrass Festival, holy mackerel.





thumbnail.aspxAND: FAVORITE NIGHT THAT ONLY TOOK 56 YEARS TO ARRIVE
This one.




*****

I started 2010 with a Polar Bear Plunge and a vow that this year was gonna be ours, a year of intentionally acquiring adventures and memories that would make me smile when I was old and withered.

I think we did it, and these were the things that soundtracked it all.



[Sound Wave” sculpture at top by Jean Shin]

March 31, 2010

my next girl will be nothing like my ex-girl

black keys2

Akron, Ohio’s finest The Black Keys are releasing their newest album Brothers (recorded at the legendary Muscle Shoals Sound Studio in Alabama) on May 18th.

Yesterday the Danger Mouse-produced “Tighten Up” made its way around the interwebs, and today I heard this shadowy, squawky, marvelous track for the first time. It certainly feels trademark heavy (“a Zeppelin-y blast of fuzzed-out guitar“) while simultaneously loaded with melodic swagger – I even catch some R&B undertones. It stuck in my head immediately, and remains there happily.

STREAM: Next Girl – Black Keys

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Woman straight up done him wrong.



You can download both tracks for free at the Black Keys site– if you buy a presale ticket to their upcoming summer tour:

THE BLACK KEYS TOUR DATES
*with Mondo Drag
with Brian Olive
§with The Morning Benders

April 8 University of Iowa Memorial Iowa City, IA *
April 10 – Yuri’s Night Bay Area 2010, San Francisco, CA
April 17 – Wanee Music Festival, Live Oak, FL
April 18 – Jackie Gleason Theater, Miami, FL †
April 19 – The House of Blues, Orlando, FL †
May 20 – Madison Square Garden, New York, NY
May 25 – Late Show with David Letterman, New York, NY
May 26 – Late Night with Jimmy Fallon, New York, NY
June 2 – The Depot, Salt Lake City, UT †
June 3 – The Fillmore, Denver, CO †
June 4 – The Crossroads, Kansas City, MO †
June 8 – First Ave, Minneapolis, MN †
June 9 – First Ave, Minneapolis, MN †
June 10 – The Pagaent, St. Louis, MO †
June 11 – Bonnaroo, Manchester, TN
July 27-28 – Central Park SummerStage New York, NY §

(thanks, jonny!)

Tagged with .
December 26, 2008

New from Dan Auerbach (The Black Keys): “I Want Some More”

In between producing the new albums from Hacienda and Jessica Lea Mayfield in 2008, while continuing to be a member of the Black Keys, Akron’s filthiest bluesman Dan Auerbach is fixin’ to release his solo debut album on February 10th.

Keep It Hid will be out on Nonesuch Records, and first listens sound like fuzzed-out, skwonky rock and roll. I love his yowl. He’ll be touring in support of it in the coming months, with those Hacienda fellas opening.

I Want Some More – Dan Auerbach

Listen to two other new tracks over on the Nonesuch Records site. And if you (ahem) right click the song titles you might be able to save the mp3s. Just sayin.

July 26, 2008

Black Keys live from Abbey Road

The Sundance Channel original series Live From Abbey Road featured Akron dirty-blues-rock duo The Black Keys this week. Dudes are currently gearing up for their Fall tour promoting their Danger Mouse-produced sickass album Attack and Release (they’ll be at Red Rocks August 21!).

Upcoming episodes in the Sundance series from the famed studio will feature artists such as MGMT (August 7), The Kills (August 14), Brian Wilson and Martha Wainwright (Sept 4), and Bryan-not-Ryan Adams on August 28.

Tagged with .
May 5, 2008

Monday Music Roundup

I had a full day interview here on Friday. Now that’s eight hours straight of me talking about myself coherently and winningly. This is a draining endeavor, no matter how exciting the job or how good of a fit. I did mostly okay except for one specific question where I recall clearly starting to veer into Miss Teen USA territory (“such as“). Hey! Turns out if you don’t know the answer, continuing to talk is not going to help you find it, oddly enough.

In between the real-life stuff going on, I’ve been listening to these songs:

Strange Vine
Delta Spirit

I just got news today from Rounder Records that they’ve signed Delta Spirit, who I allegedly saw with Port O’Brien at Noise Pop in March but regrettably actually missed due to sensory overload at the time. But I remember reading a review a few days after the festival that Amrit from Stereogum had penned that completely intrigued me: “Matthew Vasquez’s vocals are powerhouse stuff, and his Dylanistic harmonica and melodies worked well over Delta’s roots-rock roots. ‘Strange Vine’ was a standout, riding the sway of old mid-tempo, ’50s-styled r&b rock, with vocal lines ala Alec Ounsworth or Julian Casablancas depending on how the light caught it.” I want to listen more to these guys – they’ve got a great sound and a lot of promise. Their 2007 release was aptly named Ode to Sunshine, and will be re-released by Rounder.

I’m Glad
The Black Keys

If you’re the grizzled, bluesy force of nature known as The Black Keys, and you’re just sitting around Dan’s house on a Thursday, why not record a Captain Beefheart cover and post it on your MySpace for free download? Why not indeed. Just a few days old, this cover is fuzzy and dirty like it’s being sung through a dusty microphone someone dug up in the garage, then looped back through a decades-old set of crackly speakers. But you know, it’s also just about perfect for some really late-night drunk slow dancing – sad and regretful but with some heat behind it too. Attack & Release is out now, The Black Keys are playing Red Rocks with My Morning Jacket in August, and then next day will be out in San Francisco for Outside Lands.

Never So Strange
Morning State
The harmonies and vocals on this particular song evoke straight-up ’50s power pop, but there’s also a tenser undercurrent of that good ’90s rock running through it that you know I’m a sucker for. Atlanta’s Morning State cooks up a jubilant blend with a kick to it. They’ve played shows with Dr. Dog, Peter Bjorn & John, and White Rabbits, all of whom are fun bands that we like round these parts. This is a fun band. Their new album You Know People I Know People is out tomorrow on Indie Outlaw.

Time Can Be Overcome
The Constantines
Said The Gramophone intrigued me (as they always do) with a fictional vignette Sean constructed around this song, involving a South Korean man in an isolated high-rise apartment: “[He] bought an electric guitar thirteen years ago and every night since then he has spent learning a single song. He does not feel this is slow or fast; it is just right. One day he will play the song, play the whole thing. Meteorites will hammer the city and tsunamis will rise and his heart will come to life in his chest.” Really, I couldn’t ask for more than that. This is a terrific, terrific slowburn of a song. From the Constantines‘ recent release Kensington Heights (Arts & Crafts).

Measure Of The Same
Birds of Avalon
Kids heading out and paying the big black-market bucks to see The Raconteurs recently on their tiny-club tour were greeted by the psychedelic retro-tinged sounds of Birds of Avalon as openers. A five-piece band from Raleigh, North Carolina, BofA formed from the ashes of previous ’70s garage rock incarnation The Cherry Valence. They actually have a guitar player named Cheetie Kumar, which frankly is reason enough to go see them — also the way she shreds that thing ain’t bad. Their new The Outer Upper Inner EP is out now on Volcom.

February 23, 2008

Strange times with the Black Keys

Coming from the swampy, minimalistic fuzz-blues background of the Black Keys‘ past work, the decision to have Danger Mouse (Gnarls Barkley, Gorillaz) produce their upcoming album sounded so surprising, so fresh. I had a hard time picturing what that would sound like. Now I have some idea, and I am even more excited:

Highly recommended: Stream the new Black Keys song “Strange Times” over on their MySpace.

Well, that feels spacey, crisp, and dirty all at once. I would post the mp3 but it looks like other bloggers have been asked to remove it (plus, it’s for sale on iTunes) and I don’t need to go lookin for woe.

Attack & Release is out April 1 on Nonesuch, and there’s a bunch of tour dates coming up.

Tagged with .
October 20, 2007

Exclusive! Eddie Vedder & The Million Dollar Bashers, “All Along The Watchtower”

The new Dylan biopic I’m Not There takes the interesting, surrealistic angle of illustrating Bob at different stages of his life through the rubric of six distinctively different actors (including a black man and a woman): Cate Blanchett, Heath Ledger, Marcus Carl Franklin, Richard Gere, Ben Whishaw, and Christian Bale. I am very curious to see how this works itself out in the film – at least it’s a fresh angle (I mean, how many Dylan movies can you make?).

In addition to this creative lens used in the film to examine the man himself, the soundtrack is a double disc jamboree of some pretty cool Dylan covers, including disc 1, track 1 with Eddie Vedder & The Million Dollar Bashers covering “All Along The Watchtower.” Fuel/Friends is pleased as punch to get an exclusive stream for you guys to take your first listen of this!

EDDIE VEDDER & THE MILLION DOLLAR BASHERS
“All Along The Watchtower”

Stream FLASH
Stream QUICKTIME
Stream WINDOWS MEDIA

And who are said Million Dollar Bashers? It’s Wilco’s god-like guitarist Nels Cline, Lee Ranaldo and Steve Shelley (from Sonic Youth), bass player Tony Garnier, keyboardist John Medeski (from Martin, Medeski and Wood), and guitarist Smokey Hormel (onetime Beck guitarist, Smokey & Miho). I never thought I’d hear musicians from those bands all jam together. The guitar solo (assumedly from Nels?) is pretty blazing, and Vedder’s got the seething caged scream goin’ on.

Historical tie-in from last summer: there was an absolutely scorching live version of this song that full-band Pearl Jam did in San Francisco (when Sonic Youth opened), climaxing in a very rock n roll moment of Mike McCready giving his guitar the Townshend treatment and then surfing on it across the stage. PJ has played Watchtower 4 times live before, but that was my favorite. If you’d like to hear that one as well, the link over on that old post still surprisingly works.

You can also stream four other full songs from the biopic over on the soundtrack’s MySpace (the ones by Sufjan Stevens, Cat Power, Jeff Tweedy, and Jim James with Calexico). Among others, I’m also looking forward to hearing Mason Jennings’ two contributions, The Black Keys cover of Wicked Messenger, and The Hold Steady enticing me to climb out my window. The soundtrack is out October 30, and the film opens Thanksgiving weekend.

NEW CONTEST:
Would you like to win one of two copies I have to giveaway of this lovely double disc? Of course you would. Leave me a comment to enter, make sure I have a way to contact you (might wanna spell out that email addy), and if you feel so inclined, please let’s talk about your favorite Dylan cover. So I can wrap this up before I head to NYC, this contest ends Wednesday at midnight.


I’M NOT THERE (FULL SOUNDTRACK LISTING)
Disc 1
1. Eddie Vedder & the Million Dollar Bashers: “All Along the Watchtower”
2. Sonic Youth: “I’m Not There”
3. Jim James and Calexico: “Goin’ to Acapulco”
4. Richie Havens: “Tombstone Blues”
5. Stephen Malkmus & the Million Dollar Bashers: “Ballad of a Thin Man”
6. Cat Power: “Stuck Inside of Mobile With the Memphis Blues Again”
7. John Doe: “Pressing On”
8. Yo La Tengo: “Fourth Time Around”
9. Iron and Wine and Calexico: “Dark Eyes”
10. Karen O and the Million Dollar Bashers: “Highway 61 Revisited”
11. Roger McGuinn and Calexico: “One More Cup of Coffee”
12. Mason Jennings: “The Lonesome Death of Hattie Carroll”
13. Los Lobos: “Billy”
14. Jeff Tweedy: “Simple Twist of Fate”
15. Mark Lanegan: “The Man in the Long Black Coat”
16. Willie Nelson and Calexico: “Señor (Tales of Yankee Power)”

Disc 2
1. Mira Billotte: “As I Went Out One Morning”
2. Stephen Malkmus and Lee Ranaldo: “Can’t Leave Her Behind”
3. Sufjan Stevens: “Ring Them Bells”
4. Charlotte Gainsbourg and Calexico: “Just Like a Woman”
5. Jack Johnson: “Mama You’ve Been on My Mind”
6. Yo La Tengo: “I Wanna Be Your Lover”
7. Glen Hansard and Marketa Irglova: “You Ain’t Goin’ Nowhere”
8. The Hold Steady: “Can You Please Crawl Out Your Window”
9. Ramblin’ Jack Elliott: “Just Like Tom Thumb’s Blues”
10. The Black Keys: “Wicked Messenger”
11. Tom Verlaine and the Million Dollar Bashers: “Cold Irons Bound”
12. Mason Jennings: “The Times They Are a-Changin’”
13. Stephen Malkmus and the Million Dollar Bashers: “Maggie’s Farm”
14. Marcus Carl Franklin: “When the Ship Comes In”
15. Bob Forrest: “Moonshiner”
16. John Doe: “I Dreamed I Saw St. Augustine”
17. Antony and the Johnsons: “Knockin’ on Heaven’s Door”
18. Bob Dylan: “I’m Not There”

[Vedder photo credit Kerensa Wight, header image credit Playlist]

August 10, 2007

New contest: Win the Hottest State soundtrack, and read the book you lazy summer slacker

I am generally a really upbeat person but I can’t help myself — I truly despise heat coupled with humidity. This is why it is good that I don’t live in, say, Georgia or West Virginia because I would be the most grumpy person you know all through the month of August. Plus my hair would be very frizzy.

I am rambling about hot weather as a seamless tie-in to my newest contest: two lucky winners will win a soundtrack+book prize pack for the upcoming Ethan Hawke film The Hottest State. My first listens have been very enjoyable – it’s a fairly mellow and eclectic collection, and features the superb songwriting of new Fuel-favorite Jesse Harris. When forming the concept for the film adaptation, Hawke and Harris delved into the collection of 80+ songs that Harris had penned over the years, and then enlisted a dream team of folks like M. Ward, Feist, Bright Eyes, Cat Power, Black Keys, Willie Nelson, and Emmylou Harris to record them. You can stream the entire record here and then pop over to see the full tracklisting on their MySpace.

The movie is based on Hawke’s book (I didn’t know he wrote), so the two winners will each get a CD soundtrack plus the book for good end-of-summer reading as you lay by the pool and perfect that tan that will have to sustain you as the last vestiges of summer slip away.

So depressing, I know, stop it.

I’ll pick TWO random winners from all entrants by next Friday August 17th. If you’d like to win, please leave me a way to contact you (or promise to check here to see if you won, and then email me if you do) and answer this question:
What is one of your favorite hot weather/summertime memories? Random, funny, serious, whatever – it just has to effectively include that “hot” business. Godspeed.

From the soundtrack:
If You Ever Slip – The Black Keys
It Will Stay With Us – Jesse Harris

May 23, 2007

The Black Keys :: Free live EP, just because they love you

Hey Black Keys fans (yes, I’m talking to you): Those who find themselves enamored with the dirty, gritty, minimalistic blues-rock of this Akron, Ohio duo can let out a whoop of thanks for the live 4-track EP they just posted up for download at their MySpace. All the lovin of good new live tunes, for free. Don’t you wish every band would sate us this way?

You can get the tunes there or you can get it mirrored here:

No Trust (live) – The Black Keys
Recorded at The Troubador in LA on 9/13/06 by Dan Auerbach – Mixed by Dan Auerbach

Girl Is On My Mind (live) – The Black Keys
Recorded at The Troubador in LA on 9/13/06 by Dan Auerbach – Mixed by Dan Auerbach

10am Automatic (live) – The Black Keys
Recorded at the Mercy Lounge in Nashville on 12/15/2006 by Wilton J. Wall, Jr. – Mixed by Patrick Carney

Elevator (live) – The Black Keys
Recorded at the Mercy Lounge in Nashville on 12/15/2006 by Wilton J. Wall, Jr. – Mixed by Patrick Carney

THE BLACK KEYS WANT TO ROCK YOU
Jun 13 Cain’s Ballroom – Tulsa, Oklahoma
Jun 15 Bonnaroooooooo – Manchester, Tennessee
Jun 16 La Zona Rosa – Austin, Texas
Jun 17 Warehouse Live – Houston, Texas
Jun 18 Lonestar Pavilion at Sunset – San Antonio, Texas
Jun 19 The Ridglea Theater – Dallas, Texas
Jun 21 Tabernacle – Atlanta, Georgia
Jun 22 City Hall – Nashville, Tennessee
Jun 24 The Vogue – Indianapolis, Indiana
Jun 25 Agora Theatre – Cleveland, Ohio
Jun 26 Majestic Theater – Detroit, Michigan
Jun 28 First Avenue – Minneapolis, Minnesota
Aug 3 Lollapalooza – Chicago, Illinois

Tagged with .
July 17, 2006

Monday Music Roundup

Hey there tiger, happy Monday. Yeah, I’m talkin’ to you.

So you think you know your rock history? Or do you just want to see how little you actually know? Newsweek has a wicked hard Rock ‘n’ Roll Quiz. It’s probably the worst that this nerd has ever done on a test (52% score), but it is extremely entertaining if you like the minutiae of musical history. Fun sound clips throughout, too, so turn down those speakers at work before you start the quiz — I mean, before you start working on that, uh, important spreadsheet, boss.

And as usual, here are 5 songs that have kept me company this past week:

Your Touch
The Black Keys
The boys of The Black Keys have parted with the Fat Possum label (but not before leaving them with a nice ‘lil EP of Junior Kimbrough covers) and joined Nonesuch Records, thrashing through their unique Hendrixesque garage-blues sound for a new disc, Magic Potion, due out in September. It’s heavy and wonderful, with a casual, loose, calling-out-key-changes-across-the-garage feel to it. They just finished a short tour opening for Radiohead — I guess their job was to exhaust the Radiohead fans before Thom Yorke and crew come and sing them into relaxed & hazy happy-land. The Black Keys also have more tour dates coming up, those are some I would check out.

Cemetery Row
The Minus 5
There is a jangly, shimmery, indie-bluegrass-rock sound to this track, with more than a passing resemblance to the wavering honesty of The Shins or Band of Horses. The Minus 5 is helmed by songwriter Scott McCaughey (The Young Fresh Fellows), who is joined here by friends such as Peter Buck (R.E.M.), Jeff Tweedy (Wilco), Colin Meloy (The Decemberists), and Ken Stringfellow (The Posies), among others. From the self-titled 2006 disc (so-called “The Gun Album“) on Yep Roc Records.

05-22-02
Golden Smog
A friend and I spent some time re-dissecting the Clerks soundtrack last year, and one of the best efforts on that disc is by Golden Smog (a cover of Bad Company’s “Shooting Star”). I don’t recall us knowing then who, exactly, was in Golden Smog but now I know that it is a mixed blend of Gary Louris & Marc Perlman (The Jayhawks), Kraig Johnson (Run Westy Run), Dan Murphy (Soul Asylum) and Jeff Tweedy (Wilco, again!). This offering is a warm mid-tempo song from their upcoming album Another Fine Day (out on Lost Highway Records, July 18th).

Supermassive Black Hole
Muse
I just had not had the time to listen to Muse (even though they were running an ad over there, stage right). Then my cousin Alan posted an uber-enthusiastic status update on Facebook (I know, why doth the Facebook have such power over me?) wherein he raved about Muse. He recommended I check out several of their tracks while he tries in vain to contain his excitement before their concert in San Francisco tomorrow night. I completely love this song – a heavy arse-shakin’ blend of interesting sonic electronica and superfun stadium rock (a la the falsetto swagger of Eagles of Death Metal). From Black Holes and Revelations, released last week.

A Lifetime in Heat
Guggenheim Grotto
A very persistent reader kept sending me little blurbs about this band. I finally got a chance to listen to them – and I am glad she was so tireless! (Takes a while sometimes with me). Guggenheim Grotto is an Irish trio reminiscent of a blend of the intelligent composition of Badly Drawn Boy with the loveliness of Damien Rice or the backyard-hammock drifting of Iron & Wine. Their 2005 album Waltzing Alone is available on eMusic, and their Lifetime In Heat EP is downloadable in full from their website. Nic Harcourt from KCRW called this “one of the most beautiful records of the year,” and my peeps over at NPR’s World Cafe/WXPN have been spinning them as one of their “Artists of the Week.”

Enjoy.

Subscribe to this tasty feed.
I tweet things. It's amazing.

Bio Pic Name: Heather Browne
Location: Colorado, originally by way of California
Giving context to the torrent since 2005.

"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel."
—Hunter S. Thompson

Mp3s are for sampling purposes, kinda like when they give you the cheese cube at Costco, knowing that you'll often go home with having bought the whole 7 lb. spiced Brie log. They are left up for a limited time. If you LIKE the music, go and support these artists, buy their schwag, go to their concerts, purchase their CDs/records and tell all your friends. Rock on.

View all Interviews → View all Shows I've Seen →