I didn’t get to see fireworks this year, so this video from Death Cab’s show last night at the Hollywood Bowl (with the L.A. Philharmonic) will do real well. This is undeniably beautiful and kinda made me get a lump in my throat for some reason. Maybe because the fireworks exhibit what my insides do with especially stinging renditions of great songs, with those swooping strings.
Transatlanticism (at Coachella ’04) – Death Cab for Cutie
Last night in Denver, the Unconventional ’08 shindig took over a madhouse-packed Manifest Hope Gallery amidst the brick warehouses on Larimer Street.
Earlier in the evening a free concert featured Silversun Pickups, Nada Surf, DJ Z-Trip, Clap Your Hands Say Yeah and Cold War Kids. Starting around 10pm, a late-night supergroup performance brought together Ben Gibbard, Jenny Lewis, Johnathan Rice, Zooey Deschanel, and Matthew Caws to perform for a slew of eclectic luminaries that included various congresspeople, Moby, the mayors of San Francisco and Seattle, Fergie’s boyfriend Josh Duhamel, Jin from LOST — oh, and me. How did this happen?
As I approached from blocks away, the crowd was spilling in the street as they waited to get in through the half-lowered garage door entrance. A converted police car flashed multimedia exhibits onto the faded warehouse wall, with music pulsing loud enough to be heard at the Convention Center. Pandemonium!
Inside the thousand-degree gallery, I did some general browsing of the political artwork covering the walls, and then the requisite gawking and people-watching (most eclectic crowd ever – mixing political pinstripes with the indie kids and watching them try to dance side-by-side). This non-Dem was admittedly a little creeped out by a few of the near-deistic portrayals of Obama in various painted settings; a friend and I were talking about how we felt like we’d entered his shrine. But overall it was a cool expression of passion and commitment by the artists who contributed, with a few ace lighthearted inclusions (Stephen Colbert! Slaying evil!).
Comedienne Sarah Silverman started things off with her hilariously deadpan ruminations on the convention and the election, and she was dipped into an enthusiastic two-armed welcome (totally almost like this) by San Francisco mayor Gavin Newsom (SCU Broncos represent!). Newsom then introduced Seattle’s mayor Greg Nickels, and after many words and rousing rhetoric, the five musicians finally climbed onto the small stage. Throughout the 70-minute show each artist took turns on lead, with various duets, group singalongs and covers. It was lighthearted and felt like a rare living-room collaboration.
See all the glory in pictures from last night.
UNCONVENTIONAL ’08 KINDA SOUNDED LIKE…
This Is Not A Test (live 8/2/08, Newport Folk) – Zooey Deschanel & M. Ward
Zooey was completely charming, and performed this song with her guitar. Halfway through she stopped abruptly and laughed at a small mistake she made, saying it was the first time she’d ever played guitar in public since she usually rocks the piano.
Love Hurts – Gram Parsons & Emmylou Harris
Johnathan Rice and Jenny Lewis sang this ’70s staple, and in a move of complete awesomeness, they dedicated it to Obama and Hillary.
Little Boxes (Malvina Reynolds cover) – Jenny Lewis & Johnathan Rice
They didn’t sing this song. But they did lots of duets together, all lovey and gazing into each other’s indie-alt-country-couple eyes, and sounding good.
See These Bones (live on MOKB Sirius) – Nada Surf
I loved every note and word that spilled from Matthew Caws last night (recall my fondness). I was unabashed dork fangirl, coincidentally ending up right at Matthew’s feet for the set, and I didn’t even bother to check my singalong enthusiasm. He kept eying me in bemusement as I sang “the lights of this city are more or less blinking…” with possibly more enthusiasm than he did.
Weightless (live on Leno) – Nada Surf
You know those gorgeous Beach Boys harmonies at the end of this song? Picture the full gallery crowd and those other four voices on stage all swelling together behind Caws’ lead vocals. Jenny Lewis admirably played band leader, cupping her hand around her ear and waving her arms in encouragement. Nada Surf drummer Ira Elliott stood off to the right (in front of that massive Obama/Lincoln meld) and kept time with fancy claps for the whole song. You can take the drummer off the stage …
Silver Lining (Rilo Kiley cover, live at Hiro Ballroom 6/30/08) – Ben Gibbard
Ben didn’t play this one either. But he could have. I think Jenny would have been down with that.
Cath (live at BBC6) – Ben Gibbard
This song appeared on last night’s setlist but was substituted with “Sound of Settling,” which was great by me because we all got to “Ba baaa! Ba baaa!” heartily instead.
Military Madness (live 10-22-06, Bridge School) – Death Cab for Cutie, Gillian Welch, Neil Young
The five musicians closed with this Graham Nash cover about military madness and solitary sadness. Ben Gibbard led on the piano, and despite one false ending (another chorus? should we stop? let’s do both) it was a stirring closer. This live mp3 is one I saw at the Bridge School Benefit in CA a few years ago with a slightly different lineup.
ZIP: UNCONVENTIONAL ’08
Oh, and …
Dude, I’m practically one of the Oceanic 6.
The good folks at Barsuk Records notified me earlier today of this fascinating new side project from Ben Gibbard from Death Cab for Cutie. As Ben says, “It shouldn’t work, but it totally works . . . and that’s part of the magic.”
That’s the best thing I’ve seen today.
In related Barsuk news, Nada Surf plays tonight at the Gothic in Denver. Come out and see their superb live show in support of Lucky – easily one of my top ten albums of this year.
Dear lord, this site is the funniest thing I’ve seen in a loooong time.
I was laughing out loud (like, rest-your-head-on-the-desk, hope-no-one-hears-your-stifled-guffaws laughing). It was a thing of beauty. ThingsMyBoyfriendSays.com was new to me, and exactly what it sounds like, a gal documenting random funny things that her boyfriend says — no more, no less. Choice cuts:
“I think I’ll ask the dentist to install tusks in my face so I can fully embrace my orcish heritage.”
or
(When I finally made him shave his damn beard:)
“See, this is why I won’t let you have nice things. Because you won’t let me grow majestic facial hair.”
It’s voyeurism perfected in hilarious fashion.
Now for your recommended weekly musical allowance:
Big Chair
Travis
Here’s a radio rip from the BBC of the new one from Scottish rockers Travis – a driving bass line combines with some chattery electronic effects and the smooth vocal delivery of Fran Healy. This’ll be on their fifth studio album, Open, due in the Spring. Ben Stiller is rumored to have laid down some cowbell for one of the tracks; if I ever got to do that for a band, I think I’d die happy. Travis is also headed for the scenic Indio desert of Coachella in April, if you’re lucky enough to catch that fantastic line-up.
Rhythm & Soul (live)
Spoon
I’ve been listening a lot to uber-talented Austin indie/punk/rock/etc band Spoon lately, digging the eclectic combo of often-acoustic guitar, thumping beats, and funky confident vocals. I think this new track (performed live this past August at the lovely Greek Theatre in Berkeley) will sound divine with the full studio treatment. Hooray! [thx Matt]
All My Loving (Beatles cover)
The Smithereens
I am still a little unsure as to why this album was actually necessary; it’s a complete cover of the seminal Beatles’ album Meet The Beatles (1964) by New Jersey rock band The Smithereens. Overall it is interesting to listen to, as the band walks through a series of covers that are largely faithful to the arrangments of the originals but with an edge of their own; The NY Times says, “The album manages to scream Beatles 1964 and Smithereens 2007 all at once.” See what you think of this tune — for all the hype, I don’t exactly know why anyone would listen to this when the original is available.
Rocking Chair (The Band cover)
Death Cab For Cutie
DCFC covers familiar ground lyrically (“Oh, to be home again . . .”) in their reinterpretation of The Band‘s
grizzled soulful ballad, from the diverse new album of covers Endless Highway: The Music Of The Band (out mañana) which has some good stuff on it. Jakob Dylan’s contribution is interesting to me because The Band first came to prominence in ’65-’66 as the backing band for his pops, donchaknow.
Chasing Heather Crazy
Guided by Voices
I make myself a mix CD for the car every month. This is the first song on the next one. Just to entertain myself.
From GBV‘s Isolation Drills
In 1985, Pegi Young (Neil’s lady) helped to start a school in the San Francisco Bay Area for local children with severe physical and speech impairments (their son Ben is affected by cerebral palsy). The Bridge School helps to remove expressive barriers for these children through augmentative and alternative means of communication with the world around them.
The nice thing about being associated with a respected member of the musical community is that The Bridge School received the seed money needed to open, as well as ongoing financial support for the last 20 years, with an annual star-studded, quality benefit show organized by Neil & Pegi. The Bridge School Benefit has had some amazing artists over the past 20 years.
I’ve gone to as many of these shows as I could afford, and have seen more phenomenal acoustic performances than I can even remember. This year it was a happy & nostalgic coincidence that our family vacation to California to see family lined up with the 20th annual benefit show weekend. I was able to stay one extra night so that I could attend the Sunday night show after seeing the lineup this year: Devendra Banhart, Gillian Welch, Death Cab For Cutie, Trent Reznor, Foo Fighters, Brian Wilson, Dave Matthews Band, Pearl Jam, and Neil Young.
There was not one artist going into this show that I didn’t want to see — we all know that often with festivals there are one or two duds that you could care less about, but for me I was curious to see everyone, so I spent the 15 minute set-change breaks running to get what I needed so I could get back to catch each artist’s performance. As I started the beautiful, warm, sunny afternoon at Shoreline I had a space on the lawn, then some kind and fantastic stranger walked up to me and gave me his single ticket in the seats for unknown reasons. So that was a huge bonus and one of those fine things that just reaffirms your faith in humanity. Thanks “Tom” (from your e-ticket)!!
After the usual 2-song opening dealie with Neil and Pegi Young, Devendra Banhart took the stage with his newly-christened band “The Bridge” (wonder how he came up with that?) which included Scottish folk musician Bert Jansch on guitar. Banhart was more rocking than some of his folksier and warbly works I’ve heard off his latest album Cripple Crow (“Quedate Luna,” “Luna de Margarita”). He seemed to channel a bit more rock, in the vein of The Black Crowes, and overall I liked him. He looked a bit overwhelmed with the massive crowd — I’d like to see him in a smaller setting.
Gillian Welch is a giant of the bluegrass/country/folk scene, and I get the feeling that she is very well-respected among her musician cohorts. Regrettably, I have not been super familiar with her work beyond her collaborations with Ryan Adams and her contributions to the O Brother, Where Art Thou soundtrack (I do a mean lullaby rendition of “Go To Sleep Little Baby” from that collection, a song that she performed at the show with the help of longtime musical partner David Rawlings and Petra Haden). She was confident and rocking, with a gospel tune in the mix, as well as a handful of her own songs and I believe a Neil Young cover (maybe “Country Girl,” it’s hazy).
Death Cab For Cutie may have converted me from hesitantly standing on the sidelines into a full-contact player/supporter/fan. I thought their set was really lovely and sounded great. Their cover of Graham Nash’s “Military Madness” with Neil Young was fantastic, and Ben Gibbard started the show with a solo “I Will Follow You Into The Dark,” which is an undeniably poignant & beautiful tune. Some of the other song choices may have been a little questionable (a note about the Bridge School shows: children from the school sit on the stage as a special audience), such as the “second most depressing song” in their catalog, “What Sarah Said” (“There’s no comfort in the waiting room, just nervous pacers bracing for bad news . . . who’s going to watch you die?”).
There was a bit of discomfort (or should I say, a sense of heightened awareness) listening to those lyrics being sung in that setting. Every year there is a conflict that I see of artistic freedom: the artists aren’t there to do a kiddie show, and yet there those little ones are, sitting there watching with their parents, ears and eyes wide open.
Speaking of that very conflict, Trent Reznor (Nine Inch Nails) was up next. And he summarily blew my mind, moreso than any artistic act I have seen in the last several years. I cannot express how transfixed I was. I have been an unabashed Nine Inch Nails fan since I discovered Pretty Hate Machine in the mid ’90s, a disc that I think still sounds fresh and innovative and lyrically honest (brutally so). I wasn’t sure how Reznor would possibly fit into this acoustic setting. But he gets major, major props from me for meeting the challenge and using the opportunity of the setting to try something new. Get this: he comes on stage with a string quartet and a piano. The only percussion is little egg shakers. He has arranged 5 of his songs into orchestral pieces, and it was freaking *#%!! amazing. (AUDIO HERE)
He started out at the piano with a reinvention of “Something I Can Never Have,” almost unrecognizable at the start but then those familiar lyrics kick in and all that raging earnestness and nihilism is there, floating atop gorgeous strings and various dischordant sounds from striking the inside of the piano. He stands in front of the mike for the second song, holding the shakers and kicks into a steady rhythm. Not sure where he’s heading and then he whispers the opening lines: “Hey pig…” Fantastic. He also completely nailed “The Fragile” and “Hurt” (little blurry video clip here that gives you the idea). Mr. Reznor goes down in my book as an absolute genius for that set and I wish he would do a full tour like that. Amen for continuing creativity and not being content with staying musically static.
I seriously could have just seen Reznor’s set and gone home happy, but luckily there was more to come. I’ve never seen the Foo Fighters live before but thought that their set was great. Dave Grohl is an affable frontman (“Don’t invite me to your party,” he warned, after “clumsy Dave!” tripped over a microphone cable). After starting with “Times Like These,” they performed a nice rarity that Dave wrote on the spot a few years ago during a BBC interview, “Skin and Bones.” Even though the set was acoustic, Grohl headbanged his way through some ferocious strumming on the acoustic guitar, and drummer Taylor Hawkins tightly bashed and banged his way along. I thought it was notable to see Pat Smear perform with them again (he’s a bit of a legend in my book) and Petra Haden was sizzling on the violin and mandolin.
The bittersweet version of closing song “Everlong” was riveting — I never really listened to the lyrics before but ouch, they’re good and really shine in that arrangement. Dave recounted the story of a few years back at the Bridge School Benefit when they performed “Everlong” for the first time in such a stripped setting and Dave returned to his trailer and cried like a baby after it was over.
Brian Wilson was a bit puzzling and disconcerting. I was greatly anticipating his set, hoping for some of that same acoustic creativity that Reznor displayed. I know he’s not in the best health (I believe he has suffered a stroke?), and the bright and loud performance tried its best to camouflage that through amped up backing vocals, a huge band, and lots of assists on his microphone. Wilson seemed to often get lost in space or stare off into the distance. He was wearing a long-sleeved baggy white t-shirt and blue running pants, looking as if he had just come in from a sedate jog, or maybe practicing tai-chi in the park. He just ran through the standards, which were fun and I admit I sang along to pretty much every word, but something was lacking overall in the energy of authenticity. Neil Young joined Wilson to play organ on “Good Vibrations” which was full and gorgeous.
Pearl Jam took the stage next for their 7th year performing at Bridge School, and it is always great to see them. Perhaps I am biased, but I love how they dig deep for a great set of eclectic tunes. They started with an impassioned cover of Dylan’s “Masters of War,” followed by a soaring acoustic version of “Gone” off the new album. I was mightily hoping for “Parachutes,” which they had busted out Saturday night but it was not to be. The full setlist was:
(AUDIO FROM BOTH NIGHTS HERE)
Masters of War
Gone
Around The Bend (hurrah! great song)
Thin Air (another hurrah! video @ end)
Lukin (ha)
Betterman
Black
Throw Your Hatred Down (with Neil Young, WATCH VIDEO)
Every time that Pearl Jam plays the Bridge School, they dedicate a special song to a Bridge student named Maricor who has become a friend of the band. She always looks so embarassed, yet overjoyed. Saturday night it was “Crazy Mary,” and the night I was there it was the sweet gem “Thin Air” (“and I know she’s reached my heart, in thin air“). PJ honored another song request from one of the male students who, as Ed said, “likes it a bit rougher.” He then aggressively launched into “Lukin,” a one-minute hard punk song from 1996′s No Code. I laughed. The closer with Neil Young (from their joint 1995 album Mirror Ball) was impassioned.
Dave Matthews Band bored me to tears. I’d say I am a DMB fan, in the sense that I have their albums and they’ve written some crackingly good tunes over the years. But I felt his performance was just so standard and a little too indulgently jam-heavy. It was like your average DMB concert, instead of taking advantage of the setting to bust out some rarities or other acoustic gems. The songs they picked were just the radio hits, “Crash,” “Everyday,” “Jimi Thing,” etc. Each was stretched into 10-15 minute jams, during which I found my mind wandering. If I could have handpicked a better set (presumptuous! I know!) I would have voted for things like: “Say Goodbye/#41″ “Pay For What you Get,” “Busted Stuff” or “Lie In Our Graves” and a few covers. Neil Young joined him at the end for an almost 30-minute version of “Down By The River.”
How was Neil Young‘s closing set? Rumored to be with Elton John? Donno. My parts were freezing (toes numb, nose cold) and I was exhausted so I actually bailed early. I’d seen Neil already several times during the day with the other artists and sleep beckoned to me mightily.
Here are a few select tunes from Bridge School years past (links re-upped 11/12/06):
2005: Drinking Wine Spo-Dee-O-Dee – Jerry Lee Lewis
2004: Hey Jude – Paul McCartney, Neil Young, Eddie Vedder et al
2004: Harvest Moon – Neil Young with Eddie Vedder
2003: I Am Mine – Eddie Vedder
(the album version of this has been one of my favorite PJ songs lately)
2003: Teardrop (Massive Attack cover) – Incubus
2002: Dear Chicago – Ryan Adams, night 1
2002: La Cienega Just Smiled – Ryan Adams, night 2
2002: Street Spirit – Thom Yorke
2002: After The Gold Rush (Neil Young cover) – Thom Yorke
2001: All Along The Watchtower (Dylan cover) - Dave Matthews Band
2000: O Maria – Beck
2000: Nobody’s Fault But My Own – Beck
1999: Nothing As It Seems – Pearl Jam
1999: Stay (U2 cover) – Smashing Pumpkins
1999: God Only Knows – Brian Wilson
1998: I Shall Be Released (Dylan cover) – Neil Young, Sarah McLachlan & Phish
1994: Let Me Sleep – Pearl Jam
1993: Splendid Isolation – Warren Zevon
1992: I Am A Patriot (Steve Van Zandt cover) – Pearl Jam
How ’bout a zip? ALL THESE SONGS, ZIPPED
Some of the best news from the event was that in honor of the 20th anniversary, the Bridge School plans to offer a selections of songs from that last two decades for download on iTunes starting November 14. If they offer anything from Trent Reznor’s piece de resistance, I will download them as quick as lightning. It will be interesting to see what they select to make available, they have ample high-quality fodder.
Great music for a great cause, gorgeous day. Yay Neil & Pegi!
WATCH: PEARL JAM, THIN AIR (should work now)
Name: Heather Browne
Location: Colorado, originally by way of California
Giving context to the torrent since 2005.
"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel."
—Hunter S. Thompson
Mp3s are for sampling purposes, kinda like when they give you the cheese cube at Costco, knowing that you'll often go home with having bought the whole 7 lb. spiced Brie log. They are left up for a limited time. If you LIKE the music, go and support these artists, buy their schwag, go to their concerts, purchase their CDs/records and tell all your friends. Rock on.
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