April 9, 2013

Fuel/Friends Chapel Session #24: Nathaniel Rateliff

rateliff chapel 1

Nathaniel Rateliff may have one of the most piercingly uncommon voices I have yet welcomed into the chapel. It zings through the air when he lets it loose and it is absolutely impossible not to turn your head and gape. Nathaniel makes music that you can’t ignore, and you really don’t want to. Looking like a hard-swilling sailor stumbled off a boat on leave with his turquoise rings and pearl snaps, he disarms with his cathedral-filling voice that grew up singing in churches and, likely, breaking a heart or two.

I remember hearing Nathaniel years ago, fronting his band Born In The Flood, opening for Kings of Leon on a rainy Denver night. Even with a full, loud band behind him I could tell that this was something special. He has honed his voice as a spry instrument over the years I have known him, and now I find it as powerful in the whisper as the wail. There’s also this wry half-smile behind everything I hear Nathaniel sing, a patience and an insight that this song will, eventually, get you, as it alternates cartwheeling in the best wandering-troubadour showmanship and quietly probing in truths and failures.

Three of these songs are brand new creations, unveiled just for us in the chapel, the grey afternoon before our house show. Nathaniel seems to be in a fomenting fertile stage right now, starting new soul bands (Nathaniel Rateliff & The Night Sweats, probably my favorite new band name in a good while) and playing with old friends in groups like Miss America (with longtime bandmate Joseph Pope III and other Denver luminaries, incidentally playing May 10 in Colorado Springs for The Changing Colors CD release party).

All of these new songs ache, all of them need to be listened to. I am so glad he’s writing like a maniac these days, and we get to reap the results.

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February 21, 2013 – Shove Chapel, Colorado Springs

No Place To Fall (Townes Van Zandt)
Nathaniel started the session with this cover, which seems almost unfair to knock the wind out of me so soon. There is such a gentle lilt and cadence to the way he sings those cripplingly sad lyrics about knowing you need to fall, like a slow-motion tumble down stairs. And that sideways wince when he sings the lines, “but I’m sure wantin’ you…”. I didn’t think there was a way to make Townes songs even sadder, but somehow — there it is.

Don’t Get Too Close
This song dances almost mischievously, an easy shuffle even as it warns us not to come any closer, as if it could spin away at any moment. “Wait, don’t come any closer,” it warns, maybe kindly, maybe evasively. “It was something you couldn’t see.” (watch the video)

Forgetting Is Believing
There’s a line in one of my most-beloved poems, The Love Song of J. Alfred Prufrock, which places us “when the evening is spread out against the sky, like a patient etherized upon a table” and in the streets there is “the yellow smoke that rubs its muzzle on the window-panes, licked its tongue into the corners of the evening.”

This song curls and nuzzles and rises hazily just like that, the siren song of forgetting. (watch the video)

“Can I play that?” Nathaniel asked, eyeing towards the back of the stage at the shining Steinway piano. “Yes, PLEASE,” I replied — and wow. What tumbled out of him is this rueful, elegiac hymn that tugs at long winter days and growing older in frozen slumber.

I’ve been thinking of piano a lot lately, as we fight through the final, sometimes-brutal days of Spring before Summer. Songs like this are why.


[thanks to our new film intern (just gave her that title) Kendall Rock, who did a tremendous job, to Kevin Ihle for the post-processing, and for the wonderful Blank Tape Records audio talent]

February 28, 2013

Nathaniel Rateliff transfixing the living room

Outside everything felt bluntly muffled and icy-silent under the thick blanketing of snow last Thursday, but my snow day ennui was pierced through by the voice of Nathaniel Rateliff, wowing us all in a house concert that was every bit as incredible as I’d been thinking it would be for years.

With just him and his acoustic guitar, Nathaniel held all of us contentedly squirming under the laser of that voice that can slice right through, with such purity and insight.

“Shroud” and “Laughing” are both well-loved songs off In Memory of Loss, his 2010 release on Rounder Records. Nathaniel also recorded a breathtaking chapel session with me earlier that same day, doing three new songs (one on the grand piano), and covering Townes Van Zandt’s “No Place To Fall,” which, oof. That song. Him singing it. I need a moment.

photo (3)

Desirae Garcia (of The Haunted Windchimes) opened the evening, and I think nearly stole the show. Armed only with her bass ukulele and a walloping dose of deadpan candor, her nascent solo career is going to be one to absolutely pay close attention to. The way she can deliver the simplest of lines is devastating.

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[top video from audience member Jason: thanks]

February 6, 2013

House show announcement: Nathaniel Rateliff on February 21


I’m so pleased to announce that the next Fuel/Friends House Concert will be on Thursday, February 21 with the beguiling voice of one of Denver’s favorite sons: Nathaniel Rateliff.

I saw his music years ago when his old band Born in the Flood opened for Kings of Leon in Denver. In the years since, Nathaniel has been a consistent fixture of amazingness first with The Wheel, and now under his own name. He got to know the Mumford & Sons fellas early on, and you may have seen him on the Gentlemen of the Road caravan, or heard him play on the Mumfords’ Daytrotter, as well as three Daytrotter sessions of his own.

This show will be a fundraiser for Nathaniel. Some jerkface jerk in a stolen car rammed his touring van. Those repairs are not cheap, and we want to step up to help him, and enrich our ears in the process. We are suggesting a donation of $10-15 for this show. It starts at 7pm, February 21; location details here.

Desirae Garcia (of The Haunted Windchimes) will open the evening with her honeyed songs.

I’ll leave you with Nathaniel playing one of his songs with a dude you might recognize. So fun.

[header image by my old friend Todd Roeth]

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Bio Pic Name: Heather Browne
Location: Colorado, originally by way of California
Giving context to the torrent since 2005.

"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel."
—Hunter S. Thompson

Mp3s are for sampling purposes, kinda like when they give you the cheese cube at Costco, knowing that you'll often go home with having bought the whole 7 lb. spiced Brie log. They are left up for a limited time. If you LIKE the music, go and support these artists, buy their schwag, go to their concerts, purchase their CDs/records and tell all your friends. Rock on.

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