Happy Monday, folks. Okay, time for another collection of musica which I am enjoying this week. Enjoy:
Waiting for Pete Doherty To Die
Thanks to Revolution In The Head for this track. Try to listen to this (or even read the title) without laughing. If you can, you are a better man than I. A tongue-in-cheek tribute to everyone’s favorite smacked-out junkie (former Libertines frontman, currently in shambles and in Babyshambles). This song deserves a picture – since there are so many great ones of him out there. How about:
How could Kate Moss NOT want a piece of that action?
Cancelling Stamps at the University of Ghana Post Office
Just what the title says, this is absolutely awesome. I love African percussion and this makes me want to work in a post office, or at minimum mail a letter to Ghana. How wonderful to make something so mundane sound so amazing. Big ups to http://aurgasm.us for posting this and other world music tracks. Diversify my ears.
Swingin’ alt-country turn with an edge from Ms. Power (Chan Marshall), who has got to be one of the most diverse female artists out there that I know of. I have mentioned her before and will mention her again, I am sure. From her new album The Greatest, coming out in January 2006. This track has the trademark slinky vocals (what else would we expect?) and great Memphis horns. Check it out.
I Need Some Fine Wine and You, You Need to Be Nicer
The Love Fool folks go foxy. I like the spunk and the edge in this song, lead singer Nina Persson gets sassy. Plus, how can you go wrong with a title like that? This is from their new album Super Extra Gravity, produced by Tore Johansson, who also has worked with Franz Ferdinand and OK Go.
Y Control (Faint Remix)
Yeah Yeah Yeahs
I am listening to this a lot lately. Very good, trancey licks with stomping backbeats and even what sounds like some handclaps. And I love Karen O from the YYY’s edgy and earthy punk rock voice, although she is a little too full of herself, what with the over-the-top sexual posing. The Faint haven’t changed this song too drastically from the original, just lightened up the hi-hat and electrified the guitar a bit more heavily. I like the overall effect.
And a *bonus laugh* for today comes courtesy of dooce.com. Please read THIS POST, and here is a link to Knoxville Girl, which plays a prominent role in this lovely little story. Man alive, it’s a classic.