I had such an interesting, surreal time at the Radio & Records Triple-A Summit in Boulder on Friday. I got to meet a lot of interesting record reps and label folks, came home with a huge stack of new CDs to listen to, and learned about some cool radio stations and programming in the U.S. right now.
The day was this weird combination of folks who truly KNOW and LOVE music (I had more fantastic conversations in 18 hours than I have in the last 18 weeks) right smack alongside the business side of things, this pushing of music as a commodity. I saw the side of marketing and branding and distribution and all the things that are undoubtedly necessary in today’s world to have music be heard, but also seems in a weird way (to my naive and idealistic mind) to somehow contrast the beauty and art contained in a great song. But it’s necessary, so there you go.
It also felt a bit conspicuous being a blogger alongside radio programmers. I love radio, I love a good radio station, there is fantastic variety and quality on a lot of these stations. But I felt as if I might get run out of there at any moment because a blogger is kind of the anti-radio-programmer: instead of me waiting for a radio programmer at a big station to add the artists I feel passionately about, now with the internet and mp3 blogging, I can just go right to my computer, find cool new stuff, create a playlist, and essentially be my own programmer. So I am not sure how the two fit side by side. I think that a lot of folks there may have felt the same way: there was certainly a lot of warmth and interest towards what I do, but I was very aware of the dichotomy and wondering how, in the future, the two will intertwine.
The best thing about the day was that I found enough fodder for dozens of posts about new artists. Musicians were milling about, I got to talk to several on your behalf, hear about their musical philosophy, how their records were created, their backstory and their songs. It was beyond cool.
Here are some of the best new songs that caught my ear from the event:
Balancing The World
I believe this recommendation came about from a conversation wherein I was saying something about Counting Crows. The name of this artist immediately followed, and if you like Counting Crows, please give Eliot Morris a shot (I also hear some reminiscence of Matt Nathanson here). Uplifting, intelligent pop at its best. Check him out on MySpace – his album What’s Mine Is Yours comes out August 15th on Universal and I will definitely pick it up. The new release features collaborations with Dan Wilson of Semisonic and David Lindley (Jackson Browne, Bob Dylan, James Taylor). Funny, I just noticed that he is on tour with Counting Crows. Well, good pairing I guess.
You Made It
DJ Shadow feat. Chris James
From DJ Shadow‘s upcoming release The Outsider (Sept 12, Universal), and featuring
Chris Martin Chris James of Stateless, this sounds like nothing I would have ever thought I’d hear from DJ Shadow. The electronic effects are restrained; this is mostly an acoustic guitar based song over a subtle, tense beat with soaring, melodic vocals. Very nice. DJ Shadow is currently on the road, through Asia and the UK (with one rad stop at the Greek in Berkeley, opening for Massive Attack in September).
I Wish I Was A Punk Rocker (With Flowers In My Hair)
Please be aware before you listen to this that it will stick in your head and you may find yourself singing it all day long, with its clever lyrics of nostalgia and being born in the wrong era. I saw Sandi Thom perform at the luncheon on Friday and I was impressed. She’s in her early 20s, a rosy-cheeked, passionate Scottish-Irish vocalist who was quite charming. There was a definite rootsy vibe and strength to her demeanor. Her accompaniment on this tune was a guy sitting on and playing an amplified wooden box, which fascinated me. Check her out on MySpace and her album Smile . . . It Confuses People. She plays Atlanta tonight and has a handful of U.S. dates coming up. I liked her and would see her again.
Fire Island, AK
The Long Winters
Okay, so one of the best sessions for me was the Rate-A-Record deal on Friday afternoon. Moderated by my friend Bruce, ten “mystery tracks” were played for us and we had these little handheld boxes that let us rate the songs on a scale of 1-10 and then discuss them. I could do that every single day of my life and be content. Sitting around and talking about music with real people (as opposed to blogging about it) was stimulating. This was one of the toe-tapping tracks that I liked (others hated), from The Long Winters‘ third release on Barsuk Records: Putting The Days To Bed. The Long Winters are doing what I think every band should do by offering 5 full-length mp3s on their website, if you want to hear more. “Members Emeritus” of their band have included Chris Walla of Death Cab For Cutie and Ken Stringfellow of The Posies.
Timely note: Nada Surf just sent a post on MySpace saying that The Long Winters are playing a secret show tomorrow in New York City. They say, “If you are interested in attending a free Long Winters show on August 8th in NYC (and are at least 21), send an email to email@example.com and we’ll send you all the details.”
To Go Home
Another one I liked from the Rate-A-Record session, from M. Ward‘s forthcoming album Post-War (August 22, Merge Records). Where the Eliot Morris track above is pleasant and melodic and everything fits together, this track is thrumming and thumping with borderline dischordant piano in the background – but somehow it still all works together in a very compelling way. If you’d like to check out more from M. Ward, eMusic has a good selection of stuff from him. He is also currently on tour, and SO WORTH NOTING: The 3 California dates are supported by the formidable Mike Watt.
More music from the conference to come. Stay tuned.