There is something exceedingly uplifting and near-transcendent about a Band of Horses show, especially if you can wedge yourself down in the front where the waves of sound crash over you and your feet vibrate throughout the entire show from the bass.
After Kings of Leon canceled the tour where BOH was opening, dates were rescheduled with just the Seattle quintet in smaller venues. I found myself grateful to get to see them in that dark, small Fox Theatre on Monday night instead of the Comfort Dental Amphitheatre or wherever they were scheduled to play before.
It’s been years since I have seen BOH live, and since then they’ve released the newest album, Infinite Arms, and further perfected their excoriating live show. It was a holistic music-enjoyment experience for me, as they project an endless stream of images on the large screen behind them throughout the night.
My brain soared all over the place, as the images of wheatfields and old barns and crowded parties and starry nights swirled and spun into their songs. I loved the way the show tied together the visual with the auditory, because that’s how I hear music. This was especially potent on “Ode to LRC” where the crowd sang along with the line, “The world is such a wonderful place,” as scenes flashed rapid-fire behind the band, or as “Is There a Ghost” was sung in front of stars and a crescent moon. Yes.
Their songs are all universally bigger on-stage, with a greater energy; I found it to be way more Neil Young/expansive-70s-country-rock than I expected. Every song was dazzling, and even the loping dreamy ones on the records took on an urgent, dynamic air.
It’s also clear from watching this band that they all genuinely like each other, and that chemistry crackles back and forth between their music while they are on-stage. This was especially apparent during the encore performance of “Evening Kitchen” (one of my favorite songs on the new album), performed with just Ben Bridwell and guitarist Tyler Ramsey, who wrote the song.
The evening was one of those rare concert experiences where everything comes a little unsewn inside you, and for two blissful hours you are redeemed.
Also: a note about the opener. After recording a Chapel Session with me on Saturday afternoon, BOH guitarist Tyler Ramsey opened the show with his intricately haunting solo material. Watching his fingers fly over the strings again was spell-binding. His new solo album The Valley Wind comes out on Fat Possum later this month, and I can’t wait to share that chapel session with you guys.
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