February 3, 2007

“How I found the man who shouted ‘Judas’”

This was some great reading today. I love the backstories.

Bob Dylan: How I found the man who shouted ‘Judas’
It is the most famous heckle in rock’n'roll history, aimed with venom at a stunned Bob Dylan one 1966 night in Manchester. Andy Kershaw reveals how he tracked down the man who yelled it

AUDIO: Like A Rolling Stone (live at Manchester’s Free Trade Hall, 1966) – Bob Dylan

In the autumn of 1978, I arrived at Leeds University, already over-qualified in Dylanology. Another Bobsessive, I soon discovered, was living close by in our Headingley student ghetto, and he supplemented his grant by dealing Dylan bootlegs. One night he sold me a copy of an album that, according to the crudely stamped label, was a recording of Bob Dylan and The Hawks (later The Band) at the Royal Albert Hall on their notorious UK tour in May 1966. It was on these dates that Bob first appeared in Britain with an electric band. (His tour the previous spring, immortalised in the film Don’t Look Back, was still solo Dylan, in protest mode, with just an acoustic guitar.)

The 1966 bootleg was not only of first-rate sound quality; it was also the most dramatic, confrontational concert I’d ever heard – and I was a regular at Clash gigs at the time. It remains, for me, the most exciting live album of all. Dylan, on that tour, split his audiences straight down the middle. Many were thrilled by his new psychedelic songs and the massive onslaught of The Hawks roaring through the biggest PA system that had, at that point, been assembled in the UK. It had flown in with the band from Los Angeles.

But many others in those staid, municipal concert halls were outraged and betrayed by their darling acoustic minstrel plugging into the mains. (It was, though no one realised it at the time, the birth of rock music as opposed to pop music). No matter that Dylan had released five electric singles – notably, “Like a Rolling Stone” – and one electric album in the previous 12 months: British audiences were still getting up to speed on his earlier records and they wanted back the Woody Guthrie protégé they’d seen in 1965.

This tension between artist and audience snapped in an almighty confrontation on the bootleg. Slow hand-clapping and jeering throughout Dylan’s electric half of the show – which was later properly identified as his concert at Manchester’s Free Trade Hall on 17 May 1966 and finally given official release by Columbia Records in 1998 – climaxes with one betrayed folkie letting fly with a long yell of “Judas!” It became the most famous heckle in rock’n'roll history.

Dylan is rattled, and for an awkward second the audience is stunned – until a yelp of solidarity with the heckler goes up. It is still a genuinely shocking moment. (Concert-goers in those days were routinely reverential. They still stood for the national anthem at the end). Dylan eventually composes himself and leers: “I don’t believe you. You’re a liar!” And then, off mic: “You fucking liar!” (some claim he said: “Play fucking loud!”) before he and the band kick into the most majestic, terrifying version of “Like a Rolling Stone”, their final number – a performance of Gothic immensity surely drawn from Dylan by his anger at that single shout.

Read the rest of the article here.

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  • do you have more of this apocryphal concert?

    braising king — February 3, 2007 @ 7:16 pm

  • Braising – this concert was released by Columbia as Volume 4 of the Bootleg Series. The entire show, acoustic and electric sets, are not to be missed!

    Anonymous — February 4, 2007 @ 8:35 am

  • “No reason. Apart from the fact that it’s true”…brilliant!

    And indeed, that concert release is brilliant!! I actually prefer Rolling Thunder, but it still is superb…the whole Bootleg Series is – invest!!

    Joe — February 5, 2007 @ 5:58 am

  • that article is really interesting. this guy claims he heckled bob because the sound was bad!? dylan was not judas because he changed his sound, but rather because “the guitar was all muddy.” ??

    sometimes reality is less exciting than mythology.

    c — February 5, 2007 @ 10:04 am

  • I have the Columbia release of that concert, it’s one of my favorite recordings ever. I’m in the camp that thinks D says “Play Fucking Loud” to the Hawks as they’re revving up for Like a Rolling Stone, but now I’m going to listen to it again — not that I wouldn’t anyway — to see if I can hear something different.

    srslush — February 6, 2007 @ 8:22 am

  • it is obviously, “play fucking loud”. i don’t know why anyone would admit to being the heckler unless they were on their death bed and it was their last dying confession. it must be horribly embarrassing for all these old, limey, beatnik nitwits who attended a dylan show on this tour to have to see and hear themselves being complete morons amidst a rock and roll revolution. what a bunch of idiots. my favorite audience member from the pennebaker footage is the guy who in response to some wanker calling what he had just witnessed “pop crap”, said “that didn’t sound like any pop music i’ve ever heard.”. atleast, everyone in attendance wasn’t a complete numbnuts.

    dave — February 9, 2007 @ 1:55 pm

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Bio Pic Name: Heather Browne
Location: Colorado, originally by way of California
Giving context to the torrent since 2005.

"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
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—Hunter S. Thompson

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