June 23, 2006

Ray LaMontagne tour & album news

Yippee-ki-yay. The second leg of the Ray LaMontagne tour is FINALLY up on his website. I’ve only been checking, like, every day:

09/14 – Nokia Theatre, Grand Prairie, TX
09/15 – Austin City Limits Festival, Austin, TX
09/16 – Verizon Wireless Theater, Houston, TX
09/17 – House of Blues, New Orleans, LA
09/19 – Cain’s Ballroom, Tulsa, OK
09/20 – The Blue Note, Columbia, MO (free show!)
09/22 – City Market, Kansas City, MO
09/23 – City Lights Pavillion, Denver, CO
09/27 – SDSU Open Air Theatre, San Diego, CA
09/28 – The Wiltern LG, Los Angeles, CA
09/29 – The Wiltern LG, Los Angeles, CA
09/30 – Greek Theatre, Berkeley, CA (what a great venue)
10/04 – Crystal Ballroom, Portland, OR
10/05 – Paramount Theatre, Seattle, WA

For the rest of the tour dates in progress, check his website here. If you can catch him live, by all means do. As I enthusiastically said to anyone who would listen to me last April after I saw him in San Fran, it was possibly one of the best, most stirring & heartfelt and stunningly beautiful shows I have ever seen. He looks as uncomfortable on stage as all get out, but man, what music emerges. So (large hint to family) – tickets to the Denver show, that’s all I want as a birthday present.

Also, thanks to an absolutely fantastic little birdie, I have a rough copy of the new Ray LaMontagne album, called Till The Sun Turns Black, due out August 29. While there’s some really superb material on here, overall it is . . . a lot gentler and less folk-rock than I thought it would be. There are times when I wondered if I was listening to the Princess Bride soundtrack (although, that was by Mark Knopfler, so not entirely a bad thing).

Even though LaMontagne is working with Ethan Johns again as a producer this time, the overall feel is swirling, more fairy-tale-like, and very different to me than Trouble. The prominent immediacy of the percussion from Johns and the out-in-front strumming of Ray’s acoustic guitar is largely muted; instead, many songs experiment more with strings, trumpets, even a slightly uncomfortable flute solo. I also feel like Ray’s voice is mixed lower and often not as distinctive and soaringly-rough and cracking as it was on the debut. It is still as beautiful as Ray always is, but I miss the barely-caged passion and furious strumming of Trouble.

He does get pretty downright bluesy and funky with a couple of the songs, and there are some lovely, lovely strings that downright devastate me. Here is the tracklisting, and since I can’t share any of the album tracks, there are links to some live versions from a previous post:

01. Be Here Now (an interesting choice for opening track, clocking in at over 6 minutes, swirling, building, almost ethereal)

02. Empty (live version from Bonnaroo, album version is more restrained)

03. Barfly (intro melody sounds like a slowed down “Walk On The Wild Side”)

04. Three More Days (very bluesy, Memphis horns on the album. Live version here)

05. Can I Stay? (a little too slickly smooth for me on the album, but I love this song, absolutely gorgeous. A live version is here)

06. You Can Bring Me Flowers (another bluesy riff song with Ray’s smoky rough vocals cutting through the haze. Great harmonica licks, but an ill-advised flute solo straight out of Anchorman at the end)

07. Gone Away From Me (lyrics of your standard wrenching love lost, very simple verses, folksy structure. Album version has addition of brass backing. Used to be called Life Is Long, live version here)

08. Lesson Learned (Opening instumental similar to Empty, lyrics that recall “Burn” from Trouble, one of the few tracks on the new album where he lets his vocals GO, he wails at the beginning. Live version here)

09. Instrumental (this is the one I can’t get – sounds like it belongs on the Princess Bride film score. Maybe I am missing something.)

10. Till The Sun Turns Black (Pretty faithful to the live version, but with the addition of delicate strings. Live version here)

11. Coda (this, for me, is really a standout track on the album. A lovely cadence, layered “la la la” vocals, the feeling of a closing refrain)

I was hoping for the inclusion of a few other GREAT older songs he’s been playing live, such as Still Can’t Feel The Gin,” “You Should Belong to Me,” “I Can Get High (All By Myself) and the frickin’ fantastic Heaven Is A Honky Tonk,” but not this time around. Maybe the next one . . . *sigh*

BONUS: Ray LaMontagne interview from Atlanta’s 92.9 here, (with a live performance of three songs, ones from Trouble).

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  • Touche! I;ll see Ray in a couple weeks. I will tell him you say hello.

    Bruce — June 23, 2006 @ 8:26 pm

  • Oh, fantastic, I’m definitely going to catch him in LA. Thanks!

    Anonymous — June 24, 2006 @ 12:25 am

  • Whoa, crazy. Flute. I’m very leery of the hobbit-rock. Kinda surprising since live he flirted with a lot more of that blues/rock you were talking about. We’ll see…

    chris — June 24, 2006 @ 1:06 am

  • he has a big beard.

    jeffro — June 24, 2006 @ 8:09 am

  • shit
    he’s playing down the road from me on monday? and it’s sold out? that’ll learn me for not paying attention…

    Shipping Lanes — June 24, 2006 @ 7:58 pm

  • Heather,
    Thanx for the heads up on the album.
    I anxious to hear this recording, as I tend to lend my ear more to gentle folk than the bluesy rock. I also don’t find it odd that Ray would include an intsrumental on his long player. Many 60′s and 70′s singer/songwriters did the same and since Ray is heavily influenced by many of them, it seems logical.

    Kevin — June 25, 2006 @ 9:36 am

  • Does anyone know if Ray is playing a full set opening for Guster? Thanks.

    Anonymous — June 25, 2006 @ 6:03 pm

  • I was under the impression that Guster was opening for him.


    heather — June 25, 2006 @ 6:59 pm

  • Heather- I was the anonymous that asked that question. If you go to ticketmaster there is a picture of Guster on the ticket page. I hope you are right though. I think I’m going either way but I just hope Ray isn’t cut short at all.

    Great site. I like your musical taste. Especially Ray and Brandi.

    Dave — June 25, 2006 @ 10:42 pm

  • ray, god: – beard

    paolo fandango — June 26, 2006 @ 3:09 am

  • I’m gone for a week and already I’m missing out on all this new info. Can’t wait to see him. Kevin, you coming to LA to see him… come on Road trip!

    Trini — June 28, 2006 @ 3:26 pm

  • wow. this is a great site. i ve seen ray twice. once a long time ago in pittsburgh and once when he was playing with sarah lee guthrie and her husband ( i think thats the right guthrie) anways I am hoping he includes the 3rd verse of “so empty.” i am disappointed that “country girl” isn’t on there, i can’t quit listening to that song.

    dizman cometh — July 8, 2006 @ 9:54 am

  • Heather, I’m definitely interested in any of his earlier material. I was so shocked when “Trouble” came out, it seemed like Ray must have been writing songs for 50+ years; to hear that kind of work in a debut album by someone who is just a few years older than myself is amazing. So I’m really curious to hear stuff that he made before “Trouble”.

    P.S., I saw him at Great Woods (Boston) with Guster, he went on before Guster did (Guster was the main act, but they’re a Massachusetts band so it’s not a surprise- people next to me came for Ray and left when Guster went on). It’s the only time that I’ve managed to see Ray live, and he looked a little uncomfortable in a humble sort of way on the stage there. He looks well suited to the smaller singer/songwriter crowds, but he’s still amazingly intimate/introverted even in the larger venues.

    Liam — October 6, 2006 @ 1:37 pm

  • Does anyone know what type of Martin guitar Ray uses. I can’t find it anywhere on the internet.

    Anonymous — January 27, 2007 @ 7:26 pm

  • Hey! I am a huge fam of Ray LaMontagne. His music is extremely inspiring :). I was wondering though, if someone knows a website that contains all (or most) of Ray’s lyrics (and I am talking also his older songs like “Please and I go all to pieces etc..)

    If anyone can help me, it would be greatly appreciated!

    -Chantal, a hugee fan!

    Anonymous — February 11, 2007 @ 11:25 am

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Bio Pic Name: Heather Browne
Location: Colorado, originally by way of California
Giving context to the torrent since 2005.

"I love the relationship that anyone has with music: because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. It's the best part of us, probably, the richest and strangest part..."
—Nick Hornby, Songbook
"Music has always been a matter of energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel."
—Hunter S. Thompson

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